NEXA
Pre-order
A recording studio control room

Sound

Tunedby ear.

Fourteen months in a studio on Refshaleøen. Six engineers. One rule: if it measures well but sounds wrong, it is wrong.

(01) — Frequency response

Pick asound.

Our tuning. Warm low end, an honest middle, a little air on top.

20 Hz1001 k10 k20 kHz
A studio condenser microphone

(02) — Driver

Fortymillimetres.

The dome is coated with a few microns of beryllium: stiff enough not to bend at 20 kHz, light enough to start and stop on a kick drum.

Each pair of drivers is measured and matched to within 0.5 dB before it goes into a cup.

Range4 Hz–40 kHz

Further than your ears go, on purpose.

Distortion0.08 %

At 94 dB, 1 kHz.

CodecsLDAC · AAC

And LE Audio LC3 when your phone has it.

Matching±0.5 dB

Left and right, every pair.

An amber record on a turntable

(03) — Spatial

Musicaround you.

Spatial audio with head tracking keeps the stage in front of you when you turn your head — like speakers in a room.

Turn it off with a long press on the left cup. Some records sound best exactly as they were made.

A concert crowd under blue stage lights

(04) — Loud

Front row,row 40.

Quiet →