Three woods, four finishes, no veneer on tops
All our timber is kiln-dried to eight per cent and rests in the workshop for at least three weeks before it is cut. That wait is the difference between a table that stays flat and one that does not.
White oak
The default, and what two thirds of orders are made from. Hard, open-grained, forgiving of daily life. Darkens slightly and evenly over the first two years.
Janka hardness 1360 · from Volyn and ZhytomyrAsh
Lighter and more elastic, which is why every steam-bent part we make is ash. Takes a lime wash better than oak and stays pale for years.
Janka hardness 1320 · steam-bends without crackingWalnut
The expensive one, and worth it on smaller pieces where the grain is visible from a metre away. Lightens rather than darkens with sunlight.
Janka hardness 1010 · limited stock, ask before orderingWhat each one does in ten years
Natural oil
Hardwax oil, three coats, cured for five days. Repairable in patches: sand the mark, rub oil in, done. Needs re-oiling roughly once a year.
Standard on every pieceSmoked
Ammonia reacts with the tannin in oak and darkens it through the whole thickness, not just the surface. A scratch shows the same colour underneath.
Oak only · adds two weeksLime wash
White pigment pressed into the open grain, then oiled over. Keeps ash pale in rooms that get a lot of afternoon sun.
Best on ash · adds one weekBlackened
Iron acetate, not paint. The grain stays visible through it, and the surface still feels like wood rather than plastic.
Oak and ash · adds two weeksWhat we will talk you out of
Walnut for a family dining table with small children: it is the softest of the three and marks easily. Blackened finish in a room with underfloor heating and no humidity control. And any top over 320 cm in a single slab, which we simply cannot source honestly.
We would rather lose the order than send something that will disappoint you in the third year.
This catalogue — $700
- Catalogue site, 6 pages$700
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