Private residences
Whole-flat and whole-house work: replanning, joinery drawings, material specification, site supervision. Most of our year goes here.
From €18,000 · 7–14 monthsFour commissions a year. Private residences, small hotels and the occasional workspace — and we stay on site until the last handle is fitted.
Whole-flat and whole-house work: replanning, joinery drawings, material specification, site supervision. Most of our year goes here.
From €18,000 · 7–14 monthsUnder twenty rooms, where every room can keep its own plan. We do the rooms, the corridors and the one place people actually sit in the lobby.
From €45,000 · 12–20 monthsOccasionally, and only when the brief is about how people work rather than how many desks fit. Usually a floor, not a building.
From €24,000 · 6–10 monthsOur fee is a share of the build budget, and the share falls as the project grows. Move the numbers and you will see the range we would quote before we have seen the drawings.
A typical Copenhagen flat is 90–140 m².
Three of the last nine. The others are private and shown only in a meeting.
A summer house on the north coast, replanned around one east–west corridor so morning light reaches the kitchen and evening light reaches the bath. Oiled oak, recessed handles, sandblasted limestone at the thresholds. The 1961 roof structure was kept and left open.
Fourteen rooms in a former mountain station. Each room keeps its own window proportion, so no two plans repeat — the material palette holds them together instead. Wool, waxed pine, blackened steel. Light is set at seated height, never overhead.
A nineteenth-century flat taken back to lime plaster and replanned as four connected rooms with no corridor. Doors sit in line, so the full depth of the apartment reads from the entrance. Pale walls, dark timber floor, one long steel bench that serves as kitchen and table.
Drag the handle. Left is the flat as we found it in March 2022; right is the same corner nineteen months later.
Photographs in this demo are stock images standing in for a real pair.
Two hours in the space with a tape measure and no laptop. Free, and about a third of these do not turn into a project — that is fine.
You decide: whether to go onTwo or three ways of arranging the same rooms, drawn properly. This is where most of the argument happens, and it should.
You decide: which planPhysical samples on your table, not a mood board. Timber, stone, plaster and metal in the thickness they will actually be.
You decide: the paletteFull set for the builder: joinery, electrical, thresholds, every handle located. What is not drawn gets improvised, so we draw it.
We decide: the detailsWeekly on site until the last handle. We answer the builder’s questions so you do not have to.
Nobody decides: it just gets builtSurfaces that age are chosen over surfaces that stay new. Everything below gets better looking after five years, not worse.
Re-oiled once a year by you, in an afternoon. Scratches disappear into it instead of sitting on top.
Breathes, so old walls stay dry. Repairs blend in rather than showing as patches.
At thresholds and in wet rooms. Grip when wet, and it takes a chip without looking damaged.
Handles, shelf brackets, one long bench. Patinates by hand contact — it records where people touch.
Cheap, soft, honest. Dents. We use it where dents are part of the point.
Curtains and upholstery. Holds sound, and the colour shifts slightly with the light instead of staying flat.
Marenne was founded in 2016 by Ida Sund and Peter Roe. We take four commissions a year and stay on site until the last handle is fitted.
Material is specified in full thickness — timber, stone, plaster, metal. Surfaces that age are chosen over surfaces that stay new.
We are two architects and one project assistant. There is no third partner and no junior team drawing your flat — if you meet Ida at the first visit, Ida draws it.
“They talked us out of the extension we came in asking for. The flat is the same size and it works twice as well — and it cost a third of what we had budgeted.”
“Fourteen rooms and not one of them feels like a hotel corridor. The restraint is the point.”
“What I did not expect was that they were still on site in month eleven, arguing with the joiner about a two-millimetre reveal. That is where the money went, and it shows.”
If yours is not here, ask it in the form below and we will answer without a meeting.
Ask a questionBecause being on site weekly for a year is the part that makes the difference, and there are only so many weeks. A studio taking twenty projects sends a junior instead. That is a legitimate business; it is not ours.
A percentage of the build budget, falling as the budget grows — roughly 16% on a small flat, 9% on a large house. Paid in five stages, tied to the five stages of work.
Gladly, if they will take drawings seriously. If we have never worked with them we will meet them before you sign anything.
Yes, and about a fifth of our work is exactly that. It is cheaper, and the risk moves to you: what is not supervised gets improvised.
Design is four to eight months. Build depends on the builder and the permits, and anyone who promises you a date before the survey is guessing.
If you want us to. We buy at trade price and pass it through without a markup — our fee is our fee.
Then we draw another one. Stage two exists precisely so the argument happens on paper and not on site.
Two hours in your space, free, with no expectation. About a third of first visits do not turn into a project — we would rather that happened before you paid us.
Thirteen screens, two interactive blocks, one form. For comparison: a three-page business site is $450, but it has neither the estimator nor the comparison slider.